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A high-flying lawyer returns, after a messy divorce, to the small town she escaped as a teenager to take up the post of Coroner. She finds herself thrown together with her old flame who broke her heart twenty years ago - now the local policeman - and they are forced to work together.
A high-flying lawyer returns, after a messy divorce, to the small town she escaped as a teenager to take up the post of Coroner. She finds herself thrown together with her old flame who broke her heart twenty years ago - now the local policeman - and they are forced to work together.
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Ravyn Lenae: Anatomy Of An Artist and more...Ravyn Lenae: Anatomy Of An Artist
In this piece, on the rise R&B singer out of Chicago Ravyn Lenae chats about the sounds and influencing factors behind her music in anticipation of her upcoming new release Crush, set to drop soon.
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Guest post by Rachel Grate of Next Big Sound
What if we looked at today's most promising new artists from a super nerdy, almost scientific level, zeroing in on the elements that make up their musical DNA? That's the exact thinking behind Anatomy of an Artist, our new interview series that might just be the geekiest interview series around. Using data from Pandora's Genome Project — an analysis that assigns 450 musical attributes to each and every song on Pandora — we'll look at the genres, moods and sounds that define up-and-coming artists, and talk to them about the influences that shaped these sounds.
Our first subject? R&B singer-songwriter Ravyn Lenae. The Chicago native is currently one of the artists on the Pandora Predictions Chart, which uses social growth to predict the up-and-coming artists who are most likely to make their debut on the Billboard 200 Chart in the next year. The chart has previously been home to the likes of Dua Lipa, Khalid and SZA, so it's not a bad place to be.
Ravyn Lenae Washington got a very early start. She was only 17 when she released her debut EP, Moon Shoes, which eventually caught the ears of Atlantic Records, who signed her in 2016. Fast forward just one year, and Washington opened for Grammy nominee SZA on her Ctrl Tour. Now, with the release of her third EP Crush on February 9, she's moving toward household name status with her soft, smooth brand of R&B.
Below, she takes us through the sounds and influences that shape her music, and what fans will hear on her new EP, Crush, out now.
1. Soft VocalsRavyn Lenae's R&B isn't anything like the R&B of, say, Alicia Keys. Unlike big-voiced singers like Keys or Mary J Blige, Washington's voice coos rather than belts.
"I've always had a very soft, breathy voice," Washington says. "I remember when I was younger and was first beginning to sing thinking that, Oh I'm less of a singer because I'm not belting. But I value the artist that can sing a note straight and it be beautiful instead of being so busy with it, because if you can sing a pure tone and it sound beautiful that means you're a great singer. So I had to kind of step back and realize that I'm not less of a singer — I'm just a different kind of singer."
2. Soul Influences
Among the many genres that you'll hear listening to Ravyn Lenae, the most influential — according to the data, at least — is soul.
"I grew up listening to the legends — Erykah Badu, OutKast — very soulful artists," Washington says. "They had a lot to do with the soul aspect of my music." (Not coincidentally, Badu comes up as one of top-spinning artists on Ravyn Lenae's Pandora station, along with other soul- influenced acts like SZA and Solange.)
3. Love-ly Lyrics
More than lyrics of anger or politics, Ravyn Lenae chooses love. While her songs run the gamut in mood — from the introspective, downtempo "Unknown" to the danceable, uptempo "Free Room"— one thing is constant: Love is the most common subject. But it isn't alway the romantic love she's singing about.
"People have been writing love songs since the beginning of time. It's just such a big theme in human life and human nature that it's hard not to come back to that," she says. "Even if it's love in not a romantic way — love for nature, or for a friendship — I think our lives kinda revolve around that theme. I try to approach it in a different way and write about it in a not so obvious way." 4. Major Chords
While Ravyn Lenae's catalog has many songs with minor chords, on the whole, Washington has historically gravitated toward major harmonies.
"I don't think i do it intentionally, but a lot of my music does have those uplifting, happy themes," Washington says. "But I also feel like I do have a lot of songs in minor chords too — to balance it out with something mysterious, deep and thoughtful, in a different way than the major chords."
5. Up Next? A More 'Live' Sound
While Washington's catalog up until now has been heavily synthetic, she made a notable departure on Crush. Lead single "Sticky," for example, is a funk-influenced song with a heavy guitar presence. (Crush is a collaborative EP with The Internet guitarist and producer Steve Lacy. )
"Fans of mine are definitely going to get a more live sounding production," she says. "I know in the past I've done more techno sounds but Crush definitely has a more of a live, natural sound."
Pandora Just Shared User Stat No Streamer Ever Has
As part of its quarterly report to investors yesterday, Pandora, shared a stat that no other music streamer has ever dared to share: the number of new paid subscribers not including current free trials. Competitors Spotify and Apple Music have a history of discounts and special promotions prior to announcing their user stats.
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Yesterday, Pandora reported a 63% increase in subscription revenue from 5.48 million subscribers. That's an increase of 25% year over year, but just 290,000 in the last quarter. While less than stellar, Pandora has provided a much more accurate subscriber number than those offered by Spotify and Apple Music. During Wednesday's call with investors, CFO Naveen Chopra shared that, unlike its competitors, Pandora's 290,000 new paid subscribers do not include any trial subscriptions.
Spotify, Apple Music and others regularly offer deep discounts and special promotions, and do not break them out of their subscriber announcements. Spotify is in the midst of a 60 Day Free trial that could skew its "total subscribers" just prior to their first public stock offering.
MORE:
Why Play Counts Don't Always Translate To Success
Whether it's Spotify plays or social media traffic, being able to look at a tangible metric and see that listeners are consuming and enjoying your music is exciting for any band or artist, unfortunately this feedback doesn't always translate to success. Here we look at why.
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Guest post by Patrick McGuire from the ReverbNation BlogThere's nothing more exciting for a new artist than finding out that listeners are starting to learn about and enjoy their music. But using play counts, views, and hits as the only metrics to measure musical success is a bad idea. If you think about it, using statistics like views and plays to measure an artist's traction with fans is a relatively new thing. Sure, the music industry has relied on radio charts and record sales to gauge and understand what music is resonating with listeners and what music isn't, but those metrics are completely different than measuring how often listeners play a particular track on a streaming platform. When bands used to get played on mainstream radio and sell lots of records, their popularity could easily be translated to money. But in 2018, getting millions of plays across various platforms might not be enough to earn artists a livable wage depending on various factors like whether they're signed to a label or not. Play counts don't translate to a significant amount of money until they get extraordinarily high, but even more important than that, it's problematic to have such narrow definitions when it comes to thinking about what music is and isn't successful. If you only measure success in music with how much money an artist earns from their work, then you're leaving the most important component out of the equation. This, of course, is the emotional fulfillment and joy a person gets out of making music. It's the kind of love that sustains songwriters and musicians through years of artistic development and discovery that's almost always accompanied by heartbreak, disappointments, and hardship. A bunch of plays can't tell you anything about that kind of stuff. Obsessing over the numbers when it comes to how often listeners are playing your music is also problematic because it can be addictive, distracting, and discouraging. Yeah, your band's single is up to an impressive 50,000 plays, but what can you do to get it up to a million? Statistics like these give a value to music that doesn't really exist. Your band's single will sound exactly the same whether it has five plays or 5,000,000. If your goal in music is to write terrific songs and get people to listen, then obsessing and lamenting over the numbers isn't going to help you. With constantly evolving artist analytics and more platforms than ever to stream music on, it makes sense why so many artists constantly look to the numbers to determine whether their music is successful or not. But if you want lasting fulfillment in music, you'll have to find it on your own terms and not by fretting over likes, streams, and play counts. We'd all probably be much better musicians and writers if we spent more time with our craft and less time obsessing over whether we're successful or not. Patrick McGuire is a musician, writer, and educator currently residing in the great city of Philadelphia. He creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets. How Good Is Your Artist Website?
While having and keeping up with a band or artist website may seem easy enough, many music industry entrepreneurs struggle to do so. Having a solid website has become a must for artists however, and is essential for keeping your fans engaged and up-to-date.
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Guest post by Jesse Brede of the Symphonic Distribution BlogTalib Kweli Cancels Concert After Venue Books White Nationalist Band Taake
Rapper Talib Kweli has canceled a performance at a Kansas City music venue after the booked a Scandinavian accused of being Nazi sympathizers. According to the Kansas City Star, Kweli on Feb 20th told the management of the Riot Room that he would not be performing the following day after he learned that the venue had also booked the band Taake for a March 31st show.
Taake, a Norwegian black metal band, has been criticized on numerous occasions for its use of Nazi iconography in its live performances and for what has been perceived to be anti-Islamic lyrics. In February, purported anti-fascist groups took to Twitter for the band to call off their North American tour, which is due to begin 24th in New York City. So far, the calls for cancellation have been partially successful and at least two shows — March 24th at Le Poisson Rouge in New York, and the Bottom Lounge in Chicago — have been canceled. On February 18th, Taake's frontman Ørjan 'Hoest' Stedjeberg released a statement addressing the cancellations and claiming the band's past displays of swastikas were for shock value and not an ideological statement: "I have clearly explained many times throughout the years that me wearing a swastika once at a German concert was not at all meant to show support for the nazi (sic) ideology. It was all about doing something extreme for the sake of it, which certainly backfired. But it has now been 11 years and the band has even performed in Israel! Anyway, similar incidents have not happened in Taake's 25 year long career and will obviously not happen again. But certain parties seem to find this cold case unforgivable nevertheless, insisting on wilful (sic) misunderstanding. So, once and for all, Taake is not a racist band. Never has been, never will be. Still claiming so is as ridiculous and unfounded as are the attempts at sabotaging our highly anticipated shows."Update: The Riot Room has now announced that they had also canceled Taake's performance. "We have decided to cancel the Taake event scheduled to be held March 31st at The Riot Room. Refunds will be processed immediately for anyone who purchased ickets. As a venue, it is our priority to provide a safe, inclusive, and enjoyable environment for all patrons, artists, and staff. This always has, and will always continue to be our primary goal," a rep for the venue said in a statement published on their social media. Warner Music Dominates Brit Awards 2018
Warner Music UK is celebrating its most successful BRIT Awards ever with Its artists won six of the eleven awards (six of eight in UK categories) , more than any other music company. These awards follow a strong showing Warner Music at the Grammy Awards in New York last month.
At last night's BRIT Awards, Dua Lipa took home British Breakthrough Act and British Female Solo Artist, Ed Sheeran won Global Success, Gorillaz was crowned British Group, and Stormzy was awarded British Male Solo Artist and Mastercard British Album of the Year, for Gang Signs & Prayer
All record for Warner Music UK labels with ADA, Atlantic, Parlophone and Warner Bros. all marking wins.
Max Lousada, CEO Recorded Music, WMG and Chairman & CEO, Warner Music UK said: "Tonight was a celebration of the unprecedented opportunities for home-grown U.K. talent on the global stage. Artists like Dua, Stormzy, Ed, Liam, Rita and Gorillaz are making hugely popular and influential music that is moving culture and cascading throughout the world. Congratulations to all the winners, nominees and performers, and thank you for making music, and life, more dynamic and exciting."
MORE:
How Much Do Top Musicians Make Compared To Other Jobs?
While it's well known that the music industry's top earning bring in a solid chunk of change, we here take a look at how the income of this demographic (e.g. music's top 1%) compares with the income of the average employee in an alternative field.
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In this latest piece from MusicThinkTank, Ryan Harrell explores how much the top musicians make when compared with other, average jobs.
Stormzy, Dua Lipa Take Top Honors At Brit Awards 2018 [Full List Of Winners]
New artists beat the old guard at the 2018 Brit Awards which saw grime artist Stormzy and pop music singer-songwriter Dua Lipa take top honors at the annual awards show, winning British Male and Female solo artist, respectively.
Lipa, who was the first female artist to pick up five Brit nominations in a single year, took the trophy for British Breakthrough Act, which recognizes artists who are new to the scene. "I also want to thank every single female that has been on this stage before me, that has given girls like me, not just girls in the music industry but girls in society, [a] place to be inspired by, to look up to, and that have allowed us to dream this big," Lipa said. "Here's to more women on these stages, more women winning awards and more women taking over the world," Liupa said, accepting her award. Damon Albarn and Jamie Hewitt's virtual group Gorillaz took top honors for British Group, while Ed Sheeran, who was nominated in four groups, took home just one Brit Award for Global Success. Lorde, Kendrick Lamar, and The Foo Fighters won awards for International Female, Male and Group respectively, while former One Direction member Harry Styles picked up a win for British Artist Video of the Year. Performances for the night included Ed Sheeran, who provided a raw rendition of "Supermarket Flowers" from his album Divide, and Stormzy, who delivered a rain-soaked rendition of his hit "Blinded By Your Grace Pt 2." Absent from the list of performers for the evening was Ariana Grande, who had been lined up to perform a tribute to the victims of the deadly bombing attack that targeted her concert in Manchester last May. Grande missed the show after calling in sick. Geoff Taylor, chief executive of the Brit Awards, said that "on doctor's orders" Grande was unable to travel to the show. Filling in for Grande was Liam Gallagher, who performed "Live Forever" for the tribute. English comedian, actor and television presenter Jack Whitehall handled the hosting duties for the awards show, which took place at The O2 Arena in London.
Pandora [P] Stock Up Despite Mixed Earnings, User ReportPandora stock rose as much as 7% in after hours trading Wednesday, after the streamer beat Wall Street expectations in a key metric. Overall revenue grew $395 million, beating analyst predictions of $376 million. On Thursday, pre-market trading priced the stock up a 5.34% Overall, however, Pandora's report to investors was far more mixed. The company reported a loss of 21 cents a share vs. analysts polled by Reuters who expected a loss of 7 cents per share. In other mixed news, Pandora listener hours continued their slow decline to 5.03 billion for the fourth quarter of 2017, compared to 5.15 billion hours last quarter and 5.38 billion for the same quarter last year. Paid subscriptions to Pandora Plus and Premium grew to 5.48 million in Q4, up 25% year-over-year, but just 5.6% for the last quarter. Just weeks ago, Pandora announced an organizational restructuring that included 5% staff layoffs as part of a $45 million in cost cutting "designed to prioritize its strategic growth initiatives and optimize overall business performance." We'll be following the stock and updating throughout the day. LiveXLive Media [LIVX] Uplisted To NASDAQ Capital Market Today
LiveXLive Media, which includes music streamer Slacker alongside a live concert streaming platform, has been approved for listing on The NASDAQ Capital Market.
Shares of common stock are expected to begin trading on The NASDAQ Capital Market on February 22, 2018 under its existing trading symbol "LIVX."
"2017 was a monumental year for LiveXLive and listing on NASDAQ is an exciting and major milestone in our evolution that we believe will expose the company to a wider audience of potential institutional investors and increase liquidity, ultimately contributing to our ability to increase shareholder value," commented Rob Ellin, Chairman and CEO. "Consumers demand accessible, world-class experiences and LiveXLive has built a platform for just that – a social ecosystem for music lovers around the world. Backed by an impressive management team and propelled by the incredible market opportunity, we have built a company that uniquely addresses a previously untapped market. We look forward to continuing to share our developing story with the investment community," concluded Mr. Ellin.
AM BRIEF: Pandora Stock Up On Mixed Results • WMG Dominates Brits • Snapchat Responds • More
Music Business News From Around The Web
Updated continuously under our More News tab
Playlist Culture And Our Shrinking Attention Spans
Besides getting the industry back on its feet as a whole, playlist have been a huge asset in bringing unknown groups and artists out of obscurity. While this all seems like a good thing, playlist culture has it's own potential downsides.
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Guest post by Patrick McGuire on the ReverbNation BlogIn addition to delivering big profits to labels and publishers, playlists are helping new and unknown artists succeed in some profound ways. From popular independent playlists curated in dorm rooms to Spotify's insanely successful Discover Weekly feature, playlists are becoming a major way for listeners to learn about new music. The music industry has a lot to gain from this new trend, but is there a downside to our ever-increasing penchant for playlists? Where do albums fit inside playlist culture?Playlists are a little like all-you-can-eat buffets in the way that you're encouraged to try a little bit of everything without putting too much on your plate. They're the perfect way for audiences to listen to new music without committing to the experience of listening to an entire album. But when new artists write music intent on finding an audience in today's single-driven atmosphere, it begs the question––why write albums anymore? Blame it on a culture of convenience, our collective diminishing spans of attention or some combination of the two, but artists are getting almost the same amount of mileage from having a single being featured on prominent playlists as they used to get from releasing an entire album.Songwriting in the playlist eraThe music industry has hailed 2017 as the year its long awaited comeback, and streaming revenue borne gleaned playlists is a major driver behind the turnaround. But is music really better off in a single-driven culture? The Guardian certainly doesn't seem to think so.In a recent article, the British daily newspaper warned readers that songwriting and music in general suffers when music is made with the specific intention of getting placed on popular playlists. "Inevitably, there is a darker side to all this. First, at the extreme end, songwriting is now starting to contort to fit the aesthetic and audience of certain playlists; trying to second-guess what will connect best." The idea of artists making music with the intention to fit within certain commercial molds isn't anything new, but it's taken on an entirely new and troubling place in music in the age of Spotify. The article goes on to profile major artists who've begun experimenting with releasing music outside the album format. "Artists are even starting to pull apart the album format and create evolving playlists in their place. Drake's much-vaunted "playlist", More Life, was essentially an album given a zeitgeisty rebrand, but in 2016, David Gray released a "dynamic" greatest hits on Spotify where tracks were switched around depending on how popular they were, while there were industry rumours, subsequently scotched, that Calvin Harris was going to abandon the album entirely and instead release singles and EPs on a rolling basis. Playlisting now means the album no longer has to remain a fixed entity." Some music industry veterans have gone as far as saying that playlists will most likely replace the album entirely within a few years. But no matter what happens to the album, the challenge for artists will be the same as it's been for decades: Create meaningful music and find an audience in a world of tastes, trends, and methods of consuming music that's constantly evolving. Patrick McGuire is a musician, writer, and educator currently residing in the great city of Philadelphia. He creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets. How Are Listeners Finding New Independent Music?
While methods of music discovery vary drastically from person to person, we here look at few avenues which avid music consumers commonly turn to in their search for fresh tunes, depending on the demographic in question.
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Guest post by Rich Nardo of the TuneCore Blog[Editors Note: This article was written by Rich Nardo.] New music discovery is a highly personalized process. Fans of different genres tend to find music in different ways and, obviously, people of varying age and geographical demographics also tend to favor different manners of discovery. Unless you have a major label or an indie with a large budget putting out your music, it's very difficult to cover all of your bases. Your best bet is to hone in on who is most likely to enjoy your music and focus heavily in the areas where that sort of fan is most likely to be searching for new tunes. That's not to say, allocating some time and energy in other areas is not beneficial, but with limited resources it's always best to be more focused on the areas where you will get the most bang for your buck. Below are several sources people tend to tap into for music discovery: Terrestrial RadioAccording to a 2017 Study by Larry S. Miller of the NYU's Steinhart Music Business Program, if your fans tends to be members of Generation Z (born after 1995), this is largely a waste of time. Due in large part to having grown up in an 'on demand' culture, the number of teens that tune in on their AM/FM dial dropped 50% between 2006 and 2016. As more and more new cars are coming equipped with streaming service integration (a projected 75% by 2020) and people are turning more towards "Smart Home" devices like Amazon Alexa in their households, this number is expected to decrease further unless Radio undergoes an extreme makeover.Traditional radio campaigns tend to be very expensive and have high barriers of entry, so unless you're an established pop star selling out arenas, putting any eggs in this basket is probably not worth the investment. XM RadioSirius XM is a weird sort of hybrid in this scenario. The barriers to entry are high (though not as high as their terrestrial counterparts), but there are a handful of bands that break nationally in large part due to XM every year. In particular, getting rotation on a station like AltNation, XMU, Octane or The Highway can really help kickstart a band. The biggest issue with XM is that, even if you find yourself in a DJ's favor, you need to be able to show that your marketing campaign is firing on all cylinders before they'll really jump behind a project.If you're at the stage in your career where your streaming numbers are high, press is coming in and you're touring consistently at mid-sized venues, investing in a College & Specialty Radio campaign that builds towards pitching XM is worthwhile. If you're not quite there yet, you may be better off investing more time in building your fan foundation and business model out first. Social MediaSocial Media is another unique situation, as it isn't necessary a traditional "new music discovery" platform but is integral to success on most other platforms. Without a doubt, major streaming services, radio stations, press, venues and other industry types that can open doors for an up-and-coming artist pay attention to your social numbers. As we mentioned last month, Instagram has established innovative new ways for musicians to interact with fans and is leading the way in terms of music discovery via social media.With Facebook's recent algorithm shift away from business pages showing up in people's feeds, it's more difficult to reach people there. Still, allocating some budget to Facebook (and Instagram) advertising can help get your music in front of new ears in a highly efficient and cost effective way. Music Blogs and PublicationsPress has always been a staple of new music discovery. The 'gatekeepers of cool' have been a primary resource for finding what's coming next for decades, but we're seeing a changing of the guards as of late. Press will always be important, but unless you're being featured as part of a larger editorial piece, the reach of even the top outlets is starting to diminish. A few years ago, a big premiere on a press outlet like Noisey or The Fader could result in tens of thousands of plays. Today, it might only be a couple of hundred.Most top-tier sites are altering the way they approach music coverage to respond to this fact, but I would not rely solely on getting a review in one of the most respected publications to really break you as an artist. In fact, I would wager to say that the value in press lays largely in getting quotes from tastemakers to help enhance other elements of your marketing campaign as opposed to new fan acquisition. That being said, press is still very important and there are chances to grow your fanbase with a well run press campaign. This should be one of the first places you allocate money when it comes to music marketing. Streaming Services, Pandora & YouTubeNot surprisingly, this is the big one. According to Variety, a recent poll of 12-24 year olds who find music discovery important, these were the three biggest resources for finding new music – YouTube (80%), Spotify (59%) and Pandora (53%). While doing something officially with any of these outlets might be hard, there are plenty of ways to still utilize their reach. Blogs, Brands and unofficial tastemakers are more approachable for streaming playlists and there are vlogs such as Suicide Sheep, Majestic Casual or MORindie that get hundreds of thousands (if not millions) of plays for their posts.With over 78 million monthly listeners, Pandora is still the largest music streaming service in the world. Their advertising campaigns are relatively affordable and can help boost your ranking in their algorithm in a way that makes a genuine difference. As Amazon, Google and Apple all evolve their streaming services in 2018, the possibilities are only multiplying for a savvy artist who stays up to date on the world of streaming. The Good Ol' Fashioned WayThe above listed outlets are all extremely important, but nothing will aid a new artist as much as good ol' fashioned performances. Music fans are fickle these days and tend to fall out of love with songs quickly as they move on to the next big thing. Only the intimate connection of winning a fan over in a live setting can really imprint an artist enough on a group of fans to really make that adoration stick.If you plan on building a sustainable career as a musician, get really good live and make the effort to meet fans at your shows. Those encounters and memories of your performance are what will build a long-term fanbase that evolves with you from release to release. Rich Nardo is a freelance writer and editor, and is the Director of Public Relations and Creative at NGAGE. Pandora Listener Hours Fall, Subscriptions Up Just 290K
Pandora listener hours continued their slow decline to 5.03 billion for the fourth quarter of 2017, compared to 5.15 billion hours last quarter and 5.38 billion for the same quarter last year. Paid subscriptions to Pandora Plus and Premium grew to 5.48 million in Q4, up 25% year-over-year, but just 5.6% for the last quarter. Ad revenue was up 7% last year.
Last month, Pandora announced an organizational restructuring that included layoffs in some departments as part of a $45 million in cost cutting "designed to prioritize its strategic growth initiatives and optimize overall business performance." Here is Wednesday's full report.
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